By Dorothy Cole, ©1971
Cover illustration by Allan Kass
Pretty, auburn-haired Merilee Maxwell was happy in her position as nurse and in her love for tall, red-haired Dr. Kendall Ryder to whom she was secretly engaged. But suddenly the serenity of her world was threatened when TV-Western star Tex Howard was admitted to the hospital after being injured in a mysterious accident. Tex was dangerously attractive, and the way he set about working his chrm on Merilee was enough to turn any girl’s head. It wasn’t until she was caught in an explosive incident at the local fair that Merilee realized just how dangerous was her relationship with the handsome singing cowboy. She had followed her heart and it had led her into trouble. Had she gone too far to turn back ... ?
“She had hurried so, she knew her perky nurse’s cap was at a rakish angle on her bright auburn curls and that her face could use some powder.”
“They never dared to look at each other when they were on duty for fear they would show how they felt toward one another—for they were deeply in love, an ecstatic state they had been in for the past two months.”
“Complimenting a pretty nurse helped a man to feel that he was still a man, even though he was flat on his back in a hospital.”
“When you have a good-looking woman patient who isn’t married, I can’t sleep nights.”
“A man feels differently about his horse from the way he does his wife.”
“Is this where you came last evening after you got me out of jail?”
“The hot dog, cotton candy and popcorn booths all contributed their special smells to the atmosphere. Merilee hated to think what the pollution count must be and found herself holding her breath.”
“Ever since the riot at the fair, Mrs. Rogers had been very cool toward her, even though everyone who had been arrested that night had been released the following day without being brought to trial.”
I have not quite decided whether this book is flat-out brilliant or just so dumb that it appears so. It is, after all, a fine line between clever and stupid. One one hand, we have hilarious lines like, “Merilee felt her heart plummet down into the sensible shoes she’d put on to walk around the fair grounds.” On the other hand, in between jewels like these, we have plodding passages such as, “Merilee hurried along the corridor lined with rooms on either side, each with one, two, three and four patients in it. At the corner, she turned into another corridor, similar to the longer one she had just left. At the far end of that corridor, to the right, was the emergency room, close to the door where the ambulance stopped.” But even if this book is consistently moronic, does it really matter? If part of its fun is its stupidity, does the stupidity make the book less fun?
Philosophical arguments aside, Merilee Maxwell is a nurse in a perky cap engaged to a manly would-be family doctor, Kendall Ryder, who also performs surgery on a regular basis. They have been dating for about six months, and he’d proposed on the first date because, as he told her at the time, he’d worked with her in the hospital for a few months and everyone thought well of her. He already has her picking out the furniture for their new house, which he is in the process of buying when the book opens. If people in the 1960s rushed into marriage with the alacrity of the couples in VNRNs, it’s no wonder everybody’s parents are divorced.
But—and there’s always a big but—then Robert Blakely is wheeled into the ED. He is badly injured, and Merilee and Dr. Ken get right to work cleaning off his face and legs. Only when he is sparkling clean, apart from the broken nose and at least three bleeding gashes on his face, is he wheeled into x-ray to see if he might actually be dying of a ruptured spleen or something. First things first. Dr. Ken has recognized the man as the star of a TV western who goes by the name Tex Howard. Tex has a horse ranch nearby and claims he was injured riding a horse, but Dr. Ken doesn’t believe it. He knows that Tex has a wife “somewhere,” though Tex had told Merilee he had no family; this news made Merilee’s “heart feel unusually heavy.” There’s trouble brewing in Crystal Springs.
She’s obsessed with Tex, and pesters Dr. Ken for details of his injuries when he comes over later that night for the usual VNRN fare of a martini, steak, baked potato, and tossed salad. She’s upset that Tex has been put in a room with Mr. Oldfield, who hollers all night, and thrilled that she will be his nurse tomorrow. But when she’s checking on him the next day, after she’s questioned poor Tex relentlessly about his wife, someone fires a gun through the window. Merilee, who is either very brave or very dim-witted, immediately runs to it to see who it is. Is the author’s overwhelming disregard for human nature intentional or ignorance? In any case, the shooter is not discovered, and the incident quickly fades in the rear-view mirror.
After he gets out of the hospital, Tex invites Merilee to come to the eponymous fair to hear him perform, and despite Dr. Ken’s insistence that she stay away from Tex, off she goes. For his opening number, Tex sings a new composition called “Marilee, Where Are You?” and is about to play it again when “a shot rang out, and Tex crumpled to the floor of the stage.” Maybe someone just can’t bear to hear that song again. The audience takes this in stride and taps their feet as red-coated musicians, who immediately rush on stage to block the view of Tex, break into a lively tune. Then there’s an explosion, apparently set off by the hippies sitting in front of Merilee, and this is finally too much for the crowd, which immediately erupts into a riot and begins throwing punches en masse.
Merilee, who is even slower out of the gate than the audience, watches for a while longer, until the announcer pleads with the crowd to leave quietly. This request has the opposite effect on Merilee, who freaks out and tries to push her way to the stage but is sucked into the riot, where she starts hitting people. The fuzz finally arrives and drags her off to the police station, where she is booked by friendly Seargent Rosetti, whom she had nursed through a recent bout of appendicitis. She’s freed on bail by long-suffering Dr. Ken, who is understandably chilly, though she doesn’t seem to understand and is hurt when he doesn’t want to chat about Tex on the way home or come in for a visit. Tex vanishes after the shooting, but Dr. Ken knows where he is and takes Merilee with him to change the bandages, as Tex has been shot in the “fleshy part” of the shoulder. Merilee suppresses an unprofessional gasp when she realizes that “if the bullet had gone a few inches lower, it would have penetrated his heart,” which is apparently located between his nipple and his armpit.
At this point, a mystery breaks loose. There’s a photo of Tex’s wife in Tex’s bedroom that one of Tex’s horse trainers wants Merilee to get for him, but it’s gone missing. The book finally starts to wonder about who is trying to kill Tex, how he landed in the hospital, and what the story is with his wife. Through it all, Merilee maintains a complete inability to comprehend the effects of her actions. Ken’s long-lost sister shows up, and when Ken spends the evening with his sister instead of with Merilee, she wonders, “Was the pleasant pattern of her relationship with Ken going to be spoiled because of the sudden arrival of his sister?” Of course, it’s already been spoiled because of her intense infatuation with Tex, but apparently that hasn’t occurred to her.
This sort of overwhelmingly blatant stupidity is rampant throughout the book. Initially I found it irritating, but it was so pervasive that I actually started to wonder whether it was intentional. Can the author really be unaware that her book’s situations so consistenly run contrary to common sense and human nature? The amusing quotes—e.g. “his lips were firm yet able to smile easily”—are as dopey as they are funny. The book is not so over the top, not so obviously campy, that I can be certain that it’s deliberate, and this did detract somewhat from my enjoyment of it. But this book is easily so dumb that it’s a good read, an absolutely worthwhile way to spend an afternoon.