For
two years, R.N. Ivy Carter had been engaged to Dr. Gerald Larrimore, a
brilliant young surgeon and cardiologist. Despite the fact that Gerry was
studying and doing research in a large Northern city, Ivy continued her nursing
in a small town in the South while she awaited his return. But when he came
back, it was not alone—it was with a new bride, one who seemed bent on
corrupting Gerry’s professional integrity. Overcome by shock and heartache, Ivy
refused to be comforted by Murray Blake, the intern who had long secretly and
hopelessly adored her, or by Gary Whitman, the millionaire playboy who found in
Ivy the one woman he had been searching for. Could Ivy work alongside the man
she loved day by day and watch him being manipulated and destroyed by a scheming
woman? Could she accept the fact that the man was out of her life forever and
accept love from another?
GRADE: A-
BEST
QUOTES:
“In Oakhaven servants
were hard to come by. The new dress factory, about which the county seat town
had been little less than ecstatic, had drained off the women and girls who
were normally available as maids and cooks. It was a not so funny joke among
the more prosperous women that in Oakhaven there was no servant problem,
because there were no servants available.”
“I like to feel that,
professional house guest though I may be, I’m not quite a gigolo.”
“You want to be the
big provider who goes out and slays dragons and pulls them home by the tail to
show the little woman, huddling in the cave to which you brought her.”
“My Pop says that
people that live uptown don’t fight. Must be kinda dull, don’t you think,
Nurse? I kinda like a good fight, with people screaming and folks heaving
things at each other.”
“I look like the
breaking up of a long, hard winter, and you doctors should surely know it,
since you had a lot to do with the way I look.”
“I’ll have fun doing
over the house, and then at night when you come home, we’ll be together. And no
woman in her right mind could want more out of life!”
REVIEW:
It’s a real pity about
the cover of this book, because this illustrator’s work makes me cringe in
horror, but it’s one of the best Peggy Gaddis novels I’ve read. So unless I can
find it in a different edition with a better cover, we’re just going to have to
bear it.
The book opens with
the kindly supervisor of nursing giving Ivy the cruel news, that her fiancé of
several years—who just wrote to her not three weeks ago to assure her of his
love and interest in the plans for their upcoming wedding, the skunk—is turning
up after a two-year stint in a New York hospital sporting a ring on his left
hand and a wife on his arm. After tumbling from the supervisor’s office, Ivy
walks blindly into Dr. Murray Blake and tells him the reason for her pale
visage. This being a Peggy Gaddis cum
Dern book, you know there has to be a threatened spanking in here somewhere,
and Gaddis mercifully gets it over early on, when Murray warns Ivy, “If you start defending the so-and-so, I’ll
probably turn you across my knee and wham you!” From this low there is nowhere
to go except to the stalker-like profession of undying love, so Murray offers
it up with a thick frosting of darlings,
but Ivy isn’t moved, curiously.
Denise Larrimore, the
new wife of Dr. Gerry, arrives in due time, and she is “small, shy, demure, and
unbecomingly dressed.” She straightaway offers more patented Gaddis treacle, to
wit: “I’ll always be happy anywhere you are, and unhappy anywhere unless you
are there,” she coos to her new husband. But we soon discover it’s all an act,
for reasons unknown: “Being a clinging vine had really paid off, she told
herself exultantly,” she says after having won an argument by crying and
flinging her arms around his neck. “She’d put it over again!” Denise, who is
quite wealthy in her own right and therefore has little need of a man to
support herself, proves to be quite the conniver, worming her way into the most
important social circles in town—that would be the Garden Club and the Civic
Center and the Hospital Auxiliary. I’m not quite sure what made Gerry ever
think this woman was shy and demure, because apart from her gushing at him, she
certainly never acts like a shrinking violet; she in fact was the one who
proposed marriage, not Gerry.
We’re alerted to the fact
that “her whole campaign of marriage had been aimed at establishing him as a
‘luxury doctor,’ to whom the people she knew would come when they needed
medical advice.” He’s adamantly opposed to the idea, though he feels guilty
that he has dragged Denise from her sophisticated city life to a backwater
southern town. But it’s not clear why Denise wants this of him, and I’m not
really sure if she even loves him, though she repeatedly tells everyone else
she does, because in her conversations with him she see-saws between scorn and syrup,
and we’ve already been shown that her overblown sentiment is a fiction.
Indeed, it isn’t long
before Denise is neglecting to pass on messages that a patient of Gerry’s is
dying (“He asked for you before he went into a coma,” Ivy tells the good doctor
the next day), spitting at him that she hates this “dizzy, weird little town,”
and looking “chic if a bit overpowering in gold lame pants and a black and gold
top.” Of course, after gliding down the stairs, she collapses in a puddle and
begs Gerry not to divorce her, and the dolt laps it up—and when she’s smiling
and satisfied with herself, he suddenly realizes “how little he really knew
her. The real Denise, hidden behind her façade of shyness, was demure,
retiring. But, he told himself, she wasn’t really like that at all. She was a
determined woman who had every intention of getting exactly what she wanted,
and if anyone got in the way—well, that was just too bad.” He tells her that he
doesn’t know her, but she isn’t at all perturbed: “After all, darling, we have
all our lives to get acquainted with each other. And isn’t that a beautiful,
frabjous thought?” I’m sorry to report this is not the only time Denise uses
the word frabjous.
As Denise mindlessly
chatters and watches Gerry eat turnip greens she’s cooked, the recipe for which
she’s scoured the town (recipes for turnip greens apparently being very
difficult to come by in the South), “her mind was busy. Some day, and not too
far off, she would accomplish her purpose for him! She would get him away from
that silly little town and back to where he would be appreciated for the very
fine cardiologist he was. She would have to move very slowly, very cautiously.
She couldn’t afford another misstep.” Just then he interrupts her interior
monologue to ask if she is happy and she replies, “I’ve always told you that
wherever you were, that was where I wanted to be, and that all I ever want is
your happiness.” She gives him a “radiant” smile. “But even as she was
convincing him of her happiness there, she was visualizing him in a swank Park
Avenue office, beautifully and expensively equipped, with a list of patients
that came straight from the top drawer of New York’s most exclusive families.
The time would come. Of that she had no doubt.” Slow curtain, and that’s the
last we see of this most interesting couple.
Back to the
central—and less interesting—pair: When we’re not witnessing Denise’s
machinations, we follow Ivy around the hospital as she cares for her patients
(including a young boy who has been abused by his mother). She dates Murray,
who goes on—with a bit less syrup than Denise—about how much he loves her. “I
do so wish that I loved you, Murray,” she tells him heartlessly. For his part,
he’s begging, “Maybe some day you’ll discover that you could use my comfort
permanently?” Eventually, over dinner, they have an endless argument after she
tells him she loves him after all, and then finally come to kisses and the
sighing declaration that her love for Gerry was a mistake, and that “you are
really the only man I’ve ever wanted to marry.” For good measure we’re told
that Gerry has changed. “Now he’s—well, arrogant, and cocksure and
self-important,” though we really haven’t seen him acting that way at all.
I can’t help wishing
this book had been about Gerry and Denise—it’s pretty clear that Peggy Gaddis found
them the more appealing pair, which in point of fact they are, to the point that the book is named for Denise. Ivy is a strong,
assertive woman who largely stands up for herself, even with Murray, and her
patients are interesting, their stories complex, not facile, and not always
with happy endings. We are certainly left with a big question mark regarding
Denise’s motivation and her eventual success, which I actually find enjoyable,
for once not having the obvious ending plodding toward its inevitable
conclusion—sort of like Murray and Ivy’s story. The ongoing debate about
whether Denise is demure or outspoken is a bit stupid: How can you be “inwardly”
shy if you’re out bending half the town to your will? Isn’t one’s actual
behavior the determining criterion? And does inward shyness, if indeed Denise
has some, excuse her manipulative actions or make her a more sympathetic
character, as Gerry seems to think? The central questions—whether she actually
loves Gerry, what drives her to marry him, and whether succeeding in her attempts to re-create him will make her happy—are completely
ignored, though this is not necessarily a detriment to the book. Leaving the
fate of the Larrimores, and the contents of the heart of the Mrs., completely unresolved
is in large part what makes this an interesting story. If there is a fair
amount in this book to feel annoyed with, there’s enough here that’s alluring
and new to make it well worth reading.
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