Nurse Sara Farriday was no
stranger to trouble. Hospital duty had made her familiar with all kinds of pain
and suffering. But she was totally unprepeared when disaster struck at her
own heart. Her romance with Don had been
beautiful. She had never dreamed anyone could fall so deeply in love. But now,
abruptly, it was over … the engagement was broken. And Sara left the shattered
pieces of her old life behind to try to find a new life and new hope in Paris,
the city of dreams. At first, it seemed to be working. To her own surprise, she
found herself falling in love again—with
the dashing and charming Jimmy. But another tragedy brought Don back into her
life—and she was faced with an impossible choice…
GRADE: B+
BEST QUOTES:
“‘Enter Florence Nightingale,’ he said, ‘only much more fetching. A
great woman, Florence Nightingale, but no glamour-puss.’”
“‘Why do we poor blighters never get the pretty nurses? I suppose Matron’s
scared one as good to look at as you would speed up the pulses. Mine’s racing,
isn’t it?’”
“But who had tricked her and why? She began to consider fantastic
possibilities. White slavery still existed in the world; unsuspecting girls
still got tricked and sent to South America. Only a few months ago she had read
a report about it.”
“‘Paris is full of strange people. I dare say London is too, but they
seem stranger here.’”
“‘It’s quite a city. A girl who
keeps her nerve can have a lot of fun round here.’”
“For a man with a Colles fracture he looked remarkably perky.”
“‘A place like this makes you wonder why these people ever leave home. As
soon as they get to Paris they nose out all the English restaurants, eat
English food, never speak anything except English, read the English papers and
go back at the end of a week thinking they’ve had a wonderful holiday abroad.’”
“‘The girl who was with him in the accident died a short time ago. Just
as well, perhaps. She would have been much disfigured.’”
“He was in the hospital for a minor stomach ailment that only a man
with a lot of money could afford to indulge so luxuriously.”
“‘The Princess is keeping your boy-friend Pablo warm for you.’”
“The driver took them across Paris with the usual Parisian disregard
for life and law.”
REVIEW:
Sara Farriday is a 24-year-old British nurse engaged to a man she met
while vacationing in Spain. She’s deliriously in love (though no one else seems
to like the man much) and shopping for the dress she’ll wear to her wedding,
which is to be in six weeks, when Don drops a bomb: They can’t get married in
church because he was married before and got divorced. This is a blow, of
course, surprisingly not because all the good alternative wedding venues are
likely booked, but Sara quickly recovers. It’s only when a week later he
confesses that his Mexican divorce is not legal in England so he can’t get
married until he gets another divorce that she loses it and ends the
relationship. It’s not clear why this is worse than a year’s worth of
dishonesty about his past, but it appears to be due to the embarrassment of
having to cancel the wedding and return all the gifts.
She’s so devastated that she can’t even work again, she says, because
she’d have to tell her former manager that the wedding is off, which would be
just too humiliating. Her mom, though, gets impatient with Sara’s silliness and
makes an appointment for Sara to interview for a nursing job in Paris, which
Sara is incapable of cancelling—again due to apparent misplaced embarrassment—so
off she goes, even accepting the job because she’s unable to refuse. En route
to Paris, Sara has the most tragedy-ridden one-hour flight ever: First the
Arabic passenger across the aisle, who boards the plane in a completely sound
state of health is stricken with a flu-like illness and actually dies after
he’s tucked into the pilot’s bunk and Sara goes back to her seat to flirt with
Jimmy Jordan, the man sitting next to her. Then the plane’s front wheel won’t
unfold and the plane crashes on landing. It’s all OK, though, because Jimmy
immediately stakes a claim as Sara’s boyfriend, and on their first date, this
silly woman decides she could be falling in love with Jimmy. Even more curious
about this date is the fact that on her way out the hospital door, whose
mangled carcass is being pulled from the ambulance but Don’s? “Supposing he
begged her again to marry him. She
couldn’t be indifferent to him despite all that had happened. Especially now he
had had this dreadful accident …”
She finally has to care for poor Don, completely mummified in gauze,
and in what was likely not intended to be a comic scene, when he sees her, “the
tears rolled slowly and disappeared into the bandages.” In bed that night with
fresh roses from Jimmy on her bedside table, it’s her turn to cry: “Which man
was she in love with—Don or Jimmy?” My money says this flighty infant has no idea
what love is.
When a previously well nurse dies of a flu-like illness, the penny does
actually drop and Sara tells the hospital doctor about the sick man on the
plane. Dr. Scully contacts the airport for a report: “One can’t be too careful.
These nuclear bomb experiments could cause mutations in bacteria. We live in a terrifying world, Farriday.” While Dr. Scully
mulls treatment options, looking for an antibiotic effective against this virus
(though by definition an antibiotic will not kill a virus), fickle Sara holds Don’s
hand and calls him darling with
alarming frequency, though she refuses to discuss marriage with him and bristles
when the nurse matron tells her that she needs to marry Don to give him a reason
for living, especially now that his leg’s been amputated. Unfortunately, Jimmy
is bringing Sara home from a date when she’s met at the front door by the
Matron, who urges Sara to go see her ailing “fiancé” immediately. Jimmy, rightfully
livid, breaks up with Sara on the spot, and you will be shocked to hear that
Sara makes absolutely no effort to reach out to Jimmy to explain the situation,
because “no girl should run after any man.” In this case she should also be discouraged
from action by a guilty conscience, though I am quite sure that she is not.
Then Jimmy comes down with the fatal flu, which is now rampaging
through Paris, and Sara breaks a medical protocol by giving Jimmy, who is in
the control arm of a trial of a medication that might cure it, the actual drug.
He is immediately cured, but Sara is sacked, and stupidly refuses to take the
pay that is due her. With nowhere else to go, she accepts an offer to be a
private nurse for a rich former patient who had stared at her a lot. The man is
now completely well, and Sara is somewhat concerned that he has immoral acts on
his mind, but all he wants to do is drive her around town in his convertible
and have her wave to his friends.
Eventually, though, he does propose, and tells her he’s booked tickets
for them to go to London and meet her parents and get married. Horrid Sara
decides she will accompany him to London—but “once she was safely back in
London she would walk out on Monsieur Bruyarde without any pang of conscience.”
Unfortunately she comes down with the flu on the way to the airport, and once
there becomes too sick to walk, or to understand that Monsieur is being
arrested, and then Jimmy mysteriously shows up to take her back to her old
hospital, this time as a patient. When she’s well, she learns that the Monsieur
had been hoping to pass Sara off as his dead wife, whom she resembled, so as to
keep his wife’s money, which somehow he had not inherited. All that’s left is
for her and Jimmy to reunite and we can end the book.
Renée
Shann has in the past given us a couple decent reads (Ring
for the Nurse and Student
Nurse), and we can put Nurse in
Paris up alongside them. The writing is regularly campy, with great lines
such as “After a time Jimmy grew tired of contributing a solo performance as
the life and soul of the party,” and we can laugh through comic scenes such as
when Sara and her spirited roommate Lulu are driving around the Bois de Bologne
at 4:00 am trying to find two of Lulu’s boyfriends who have decided to duel
over her. Interestingly, Sara is something of an unlikeable character, too
wishy-washy to decide which of her own boyfriends she really loves, too backward
to clear up her misunderstanding with Jimmy or look for a job, immoral enough
to cheat an employer out of a plane ticket to London. The plot is a little random,
with quite a few unexplained loose ends, but in the end it’s a
better-than-average book with enough joy in its pages to tide you over the
rough spots, even if one of them happens to be the heroine.
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