By Adeline McElfresh,
©1963
Why, Jill asked
herself, had she left Bradburn Memorial Hospital to work in the wild and open backwoods country? Was it because she had felt unsure of
her love for Giff? Had she hoped, during the year that she would be away from
this operating table and his kisses, to test their love? And was that, she
thought uneasily, the reason she could turn to Clay Ramsdell so easily—because
she did not, truly and deeply, love Giff? Yes, Jill thought, absence makes the
heart grow fonder … but of whom?
GRADE: B+
REVIEW:
With this volume, we continue
the times of Jill Nolan, RN, as she makes her way toward matrimony; after that
point, we need no longer bother with her. In this book, Jill has decided to
work at a Navajo clinic in northeastern Arizona for a year, working alongside
Dr. John Gray Cloud. John was a friend of Jill’s fiancé’s when the boys were in
medical school, and when he stopped in for a visit in Kentucky, where Jill and
Giff live, love, and work, his tales of the beauty and hardship on the
reservation tugged at Jill’s heart. So she packed her bags and set out for the
Southwest for a year-long stint there.
Before she even
arrives at the cinderblock clinic, she meets local rancher Clay Ramsdell, and
assists a young Navajo woman who is losing a battle to deliver a breech baby.
Jill wades right into her scrubs and the woman’s uterus, turning the baby and
saving two lives with complete aplomb, and now she is known throughout the
reservation as a nurse who has life-saving magic.
Most of the book
follows Jill as she navigates Navajo lands, people, and language, and this is
the rare VNRN about non-white people that treats them with honor and decency.
The Navajo people we meet are poor, but they are largely dignified people
facing the steep challenges of prejudice and poverty. Jill’s main struggles
throughout the book are, unfortunately, less dignified: She can’t decide if she
really loves Giff.
Jill’s decision to
leave Kentucky for this year-long sabbatical is never really satisfactorily
explained, as even she doesn’t seem to understand it. Now and then, intruding on
an otherwise lovely story, are her never-answered musings on the subject, and
the corollary, whether she should go home or stay in Arizona, where she is
deeply needed and enjoying a very satisfying career—a decision she makes
suddenly and without premeditation, much to my chagrin. She is just as
uninsightful about her boyfriends: She often sternly reminds herself that she
loves Giff, and then wonders in the next sentence why she is attracted to Clay,
before she shoves away the entire topic and goes off to set somebody’s broken
leg. (I did wish she would spend more of her time doing the latter and less of
the former.) Her debate over her feelings about Clay is largely internal, as
although he kisses her once, he never brings it up again, and the two just hang
out in an essentially platonic relationship. Then, in the end, she makes an
unstartling discovery out of the blue about whom she really loves, and the book
comes to a disappointing and abrupt close. Now, I recognize that the entire
premise of a VNRN is that the young lady is supposed to choose a fella by
book’s end, but I’d like to feel that her choice is a sound one, and well thought
out. Here her decision, given top billing in the book’s title, is mostly just
the thing that came easiest. It’s the most disappointing aspect of this
otherwise excellent book—but since Jill really spends little time at all
thinking of her love life, this book is certainly worth reading, whether you’ve
met her in the previous two volumes or not.
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