Monday, February 23, 2026

Settlement Nurse

By Rosamund Hunt
(pseud. Miriam Lynch), ©1966
 

Wealthy, attractive Nurse Rebecca Hazlett had no great love for the patients of “The Downs,” the slum area where Dr. Paul Coleman had his office, though being near Paul, despite the fact that he hardly noticed her, seemed to make it all worthwhile. But when she met Paul’s friend, handsome, enigmatic, politician Steve Pryor, she found herself eager to help in his fight to clean up the city—working with the poverty-stricken, going into the depths of the slums, mindless of the underworld dangers that surrounded her. Suddenly she realized her life had taken on a new meaning—but dare she confuse it with love?

GRADE: B

BEST QUOTES:
“No one was actually rich these days. She might have told him that high taxes and the maintenance of a place like the house of Larchmere Street did not give her parents much leeway.” 

REVIEW:
Wealthy Becky Hazlett is a child, just 21 years old (why must VNRN heroines be so alarmingly young?), fresh out of nursing school, which she had attended in part “because she had wanted to escape from the sort of life her mother had planned for her”—that of an upper-crust society wife—but also because she liked the challenge of it, and the knowledge that she was doing something “most people would find difficult or distasteful.” So, in short, it was most certainly not because she had any burning desire to help people, especially those less fortunate than herself.

Then why is she working in the Downs, the town’s slum, when she “never came into Folger Street without a feeling of distaste”? Well, silly, it’s because she’s in love with Dr. Paul Coleman, who for some unfathomable reason has decided to take up “the most difficult phase of the medical profession in a run-down section of the city where money was scarce and patients put the doctor’s bill at the very end of the list of necessary expenditures.” And why is she in love with Paul? “Because every other young, single, impressionable nurse in the hospital had yearned and speculated, Becky had become interested in him. Because so many other girls wanted him, she knew that she had to have him. It was a form of swimming upstream again.” Well, I guess there are worse reasons.

But needless to say, because otherwise this would be a short book, Paul has no interest in Becky. In classic VNRN fashion, “He never saw her as a person; merely as someone to help ease his heavy burden of duties.” Though  perhaps Becky isn’t being entirely honest with herself; “there was about her face a look of something like aloofness. And too much pride. She had heard herself described, during her training days, as a ‘snob’; and one of her instructors had call her ‘a spoiled brat.’” Perhaps her disdain for the people she works with is not invisible to Paul either.

Then a pal of Paul’s, Steve Pryror, stops by the clinic. He’s running against the forever incumbent for mayor, who has a grifty sort of administration that, according to Steve, helps enforce the poverty that keeps the Downs full, and he wants to change it. He wins the endorsements of Paul and therefore Becky, as well as financial donations from both. But when Steve then publishes an ad in the paper naming them both as financial supporters of his campaign, Becky’s genteel parents are shocked and embarrassed! Furthermore, this puts her in some physical danger from the goons of the Hardcastle administration, but ensuring Becky’s safety is taken up as a personal mission of local ex-con Robbie Hood (self-named, though Paul quips that Robbie “steals from the poor to give to himself”), and Robbie escorts Becky on her work errands, much to her mixed feelings, as she finds Robbie tedious and boring, but recognizes the usefulness of his protection. As her bodyguard, however, he meets her cousin Alicia Coatsworth, who has dropped by the family manse for an extended vacation, and soon Alicia is out on the town with Robbie, wearing clothes borrowed from Becky—and now there’s a photo in the paper of the pair in a seedy nightclub after hours, but the caption misidentifies Alicia as Becky.

Well, this is just too much for her parents, so Becky moves out of the house and into a shabby but clean house in the Downs, where an impoverished widow with two teens is compelled to rent rooms to meet expenses. Becky quickly enjoys being part of a warm, affectionate family so unlike her own, and living in the neighborhood begins to shift some of her condescending attitudes. As she chats up the young daughter, who is keen on becoming a nurse herself, Becky begins to realize her own shallowness and self-absorption. “She could feel no pride in herself as a person. She could see now how false had been her values and motives, how enormous her selfishness.”

Then there is a political rally by Steve after which he is savagely beaten by the current mayor’s thugs—which Becky witnesses along with a slightly deranged old woman who lives in the area. Becky treats Steve on scene, then specials him in the hospital in the evenings until he is out of danger.  Becky and the aged Miss Augusta Shelburne are now star witnesses in the prosecution, and in even more danger. Becky promptly moves Miss Shelburne into the house where she is living so the thugs won’t be able to find her, but unfortunately decides to take this crucial moment to move back home to the safety of her parents’ house, sadly abetted by Paul. “I’ll feel better when you’ve left the Downs behind,” he tells her, though he lives there himself and presumably always will, which will make him quite a hypocrite if and when he marries Becky and she moves in with him.

The rest of the story plays out in an easily predictable plotline, but I did appreciate that Becky is the rare VNRN character who actually grows over the course of the book, and not in an abrupt, unbelievable manner. It is told more than shown—“the change in her did not come overnight, and certainly it did not come easily,” we are told, with examples including her willingness to smile at others on the broken sidewalks—but we still have it nonetheless. My only disappointment with the story was Becky’s step backward when she chucks her independence to run home to Mom and Dad, who had never been particularly supportive of her career, to be “pampered and fretted over” by her parents and their extensive staff. If overall the book has no sparkling prose or even any good quotes to pull out, it’s still perfectly serviceable.

Sunday, January 11, 2026

Nurse Jane in Teneriffe

By Jean S. MacLeod

When her sister died, Nurse Jane Lambert went out to the Canary Islands at her brother-in-law’s request to help care for his children. She had always loved Felipe, and could not help hoping that now perhaps he might come to care for her. But she arrived in Teneriffe to find a very different situation from what she had expected.

GRADE: B-

BEST QUOTES:
“All truth is brutal on occasion.” 

“Ideals aren’t much use without money to back them up.” 

“Creative genius has a moral code of its own.”

REVIEW:
Is it a nurse novel when the nurse in question has left her job and only spends two afternoons volunteering at the local clinic during the entire book? Here it might, I think, because Nurse Jane Lambert loves nursing and plans to return to it—and her general qualities of compassion, strength and independence are those of our accustomed nurse heroines. So, that settled, let’s turn our attention to Jane, who has flown to an island in Spain some months after her sister’s death to “seek out her sister’s children in an alien land,” where they live in luxury with their father, a titled plantation owner. Her secret agenda stems from the fact that she had been in love with her brother-in-law, Felipe, and had been dating him when her sister Grace had rudely stolen him away and married him. Jane still loves him, of course, because he was “kind, considerate, charming and a little remote.” When she arrives, however, she find he now possesses only one of those qualities—guess which one?

Jane wants to believe that the crushing heartbreak of the failure of his marriage, or rather the more devastating insult of his wife’s affair and pregnancy, have made Felipe the ruthless, “harsh and unrelenting overlord” he is now, but this is hard to swallow, and Jane’s complete lack of judgment about people doesn’t help. Everyone seems to know that she’s come hoping to marry Felipe—his Mrs. Danvers-esque sister Teresa, who cruelly manipulates the household for her own ends; the local doctor; even Felipe himself.

The children, Chris, age 4, and Rozanne, either 5 or 6, are as uninterested in Jane as everyone else is. Chris is already a spoiled, “haughty” “autocratic” monster, while his sister is openly neglected and abused, but whose constant sullen and rude attitude nonetheless makes her an unappealing character, as much as I’d wanted to pity the unwanted child. So Jane mostly just hangs around the house or accompanies the children on their trips to town. She does manage to get into trouble when she stops for an hour at Dr. Andrew Ballantyne’s clinic—there’s a big epidemic on, you see, and her one hour of work will make so much difference! It does to her, anyway: “A strange excitement ran through Jane as she slipped into the familiar uniform, a sense of renewal, of purpose. She had come home.” When Felipe finds out Jane has been “missing,” however—30 minutes late in collecting the kids from their swimming lessons—he’s furious! He snaps at Andrew, who has walked Jane back to the pool, that she is not entitled to make her own decisions and all but forbids her to work as a nurse for Andrew—in part because he believes Andrew was Grace’s lover. (Jane believes this, too, so it’s quite startling when she tells Felipe, “I just can’t imagine Andrew Ballantyne doing such a thing,” when she’s been convinced of it on numerous other occasions.)

Then on the patio that evening, as Jane’s “heart fluttered,” Felipe insists he will marry Jane. “It was the thing she had wanted more than anything in the world”—but it’s clear now that he does not love her. “He needed her to grace his house, to be a second mother to his children, but there was no love left in his heart.” Now suddenly Jane decides that though she had loved him, her fluttering heart must have just been indigestion. “I never really knew you. You were a—sort of symbol to me, a—a figure of romance." And poof! now she’s in love with Andrew! “her first swift, passionate attachment to Felipe was as nothing compared with what she felt now.” But “twice she had loved where Grace had come first,” she thinks, still believing the noble Andrew had been having an affair with her sister.

Up until now the book had been somewhat Gothic in its attitude—haunting would be too strong a word, but at least mildly complex and dark—but suddenly it loses its character and becomes a madcap frenzy of activity. There’s a dying baby to save, a stolen emerald, a secret and stupidly fruitless journey to town just to warn Andrew that he will be accused of the theft by the vindictive Felipe, when the town gossip mill has delivered the news faster than she can ride a horse (it’s her third time), Rozanne runs away and is chased by Jane, a fall down a cliff, and then an extremely long conversation between Jane and Andrew as she is barely managing to cling to the precipitous cliff. All the “mysteries” are revealed to the unsurprised reader, and even Andrew’s ignominious career in the “backwater” clinic is suddenly given a glorious future. The last third of the book didn’t fit the rest of it, and that was a disappointment.

The plot is reminiscent of Peggy Gaddis’ very annoying Nurse at Spanish Cay, but Harlequin regular Catherine Airlie is a new author for me, and I found her writing pretty good, though this the only “nurse” novel she seems to have written. Jane is a bit wishy-washy as a character, showing strength and resolution one minute, then gullibly swallowing obvious falsehoods or climbing a wall and becoming too frightened to climb down. Other characters are well-drawn and at least interesting, and the descriptions of the island are really enjoyable. So Nurse Jane is a mixed bag, but not a total loss.

13th Annual VNRN Awards

Lucky 13 finds us back here again, to bestow wreaths and booby prizes to the books that made us sit up and take notice this year, for better and for worse. I have to start with Betty Neels, who, with her fourth Best Book award this year, has netted that honor with all four of her books I’ve reviewed.  She’s going to find herself a tough act to follow, so stay tuned to find out what happens with her next review, as she will surely have at least one in 2026! Doris Knight has a similar winning streak but in the more dubious direction, as reviews of the two books we have met here have both captured Worst Book awards. She’s another author I will be sure to pick up next year, to see if she, too, can continue her unfortunate trend. 

As for the rest of the crowd, Teresa Hyde Phillips was a short story writer who penned just one novel, and it has captured the top spot on the Best Books this list. It is a pity that there will be no more of her works to enjoy! Some long-time favorite authors also step into the spotlight, as witty Dorothy Fletcher nabbed her sixth Best Book award and Adela Maritano, AKA the fabulous Jane Converse, won her fifth. Peggy Gaddis also proves herself a schizophrenic writer, winning in both Best and Worst Books category this year—the second time she’d achieved this unusual feat. And Dan Ross, a C+ average writer, gave us one of his worst, so be sure to miss that one.

If you’re not a fan of statistics, you can skip this part: This year’s award recipients were taken from the 24 books I reviewed this year, penned by 23 different authors. The Best and Worst Authors categories include all the VNRNs reviewed for this blog (605 to date!), but only authors with more than one review are invited to participate.

Best Books
The Prodigal Nurse by Teresa Hyde Phillips
Tabitha in Moonlight by Betty Neels    
Society Nurse by Jane Converse (pseud. Adela Maritano)
Starring Suzanne Carteret, RN by Diane Frazer (pseud. Dorothy Fletcher)
Nurse at Ste. Monique by Juliet Armstrong
Nurse at the Cedars by Peggy Gaddis
Dr. Garrett’s Girl by Miriam Lynch
Hospital of Bamboo by Juliet Shore (pseud. Jan Haye)

Worst Books
Nurse of the Crystalline Valley by Mary Collins Dunne
Nurse Felicity by Peggy Dern (pseud. Peggy Gaddis)
Backstage Nurse by Jane Rossiter (pseud. W.E. Dan Ross)
Runaway Nurse by Doris Knight


Best Quotes
“Relax, Merrill. I’ve had breakfast, and I rarely gobble up nurses before lunch. You are perfectly safe.” Nurse at the Cedars by Peggy Gaddis

“What happened to that darling little girl who had bubonic plague? I didn’t hear any more after she left Pediatrics.” Nurse Kelly’s Crusade by Nell Marr Dean

“There are days when I hate it all—when I want to chuck it and get into something easier and—well—less smelly.” West End Nurse by Lucy Agnes Hancock

“There’s two schools of thought about raising kids. One was to bring ’em up the way they ought to be; and the other was just to let the FBI handle it later on.” Nurse at the Cedars by Peggy Gaddis

“You have spunk, Jane, as well as a fertile imagination, and those qualities I admire in a woman. That and a nice little body.” Nurse in Danger by Maisie Greig

“I’m going uptown to get some mushrooms, Mary.” West End Nurse by Lucy Agnes Hancock

“You’re a beautiful girl. I can’t think of anyone I’d rather have run me over.” Runaway Nurse by Doris Knight

“I’m a Harvard man. I wouldn’t get myself seriously shot outside a lady’s boudoir.” The Prodigal Nurse by Teresa Hyde Phillips

“Sassy redheads are my dish. Watch out you don’t share the fate of Red Riding Hood’s grandmother.” West End Nurse by Lucy Agnes Hancock

“What I’d like to do, Meredith thought grimly, is pull that dyed hair out by its roots.” Nurse of the Crystalline Valley by Mary Collins Dunne


Best Covers
Nurse Brookes by Kate Norway (psued. Olive Norton)
Nurse Felicity 
by Peggy Dern (pseud. Peggy Gaddis)
Society Nurse by Jane Converse (pseud. Adela Maritano)
    Illustration by Allan Kass
Starring Suzanne Carteret, RN by Diane Frazer (pseud. Dorothy Fletcher)
    Illustration by Harry Bennett
West End Nurse by Lucy Agnes Hancock


Best Writers

1. Ida Cook (3.9 average based on 3 reviews)
1. Noreen Ford (3.9 average based on 2 reviews)
3. Faith Baldwin (3.8 average based on 4 reviews)
4. Marjorie Lewty (3.7 average based on 3 reviews)
5. Marguerite Mooers Marshall (3.6 average based on 5 reviews)
5. Marjorie Moore (3.6 average based on 3 reviews)
5. Betty Neels (3.6 average based on 4 reviews)
8. Irene Mossop Swatridge (3.5 average based on 4 reviews)
9. Olive Norton (3.4 average based on 11 reviews)
9. Elizabeth Seifert (3.4 average based on 3 reviews)


Worst Writers
1. Mary Collins Dunne (1.5 average based on 2 reviews)
1. Mary Mann Fletcher (1.5 average based on 2 reviews)
3. Ruth McCarthy Sears (1.6 average based on 6 reviews)
4. Peggy Blocklinger (1.7 average based on 13 reviews)
4. Doris Knight (1.7 average based on 2 reviews)
4. Zillah Macdonald (1.7 average based on 3 reviews)
7. Arlene Fitzgerald (1.9 average based on 6 reviews)
7. Elizabeth Kelly (1.9 average based on 3 reviews)
7. Virginia McDonnell (1.9 average based on 2 reviews)
7. Virginia K. Smiley (1.9 average based on 4 reviews)