Private Duty Nurse

By Isabel Cabot
(pseud. Isabel Capeto), ©1958 

Two men wanted lovely young Nurse Johnson. Phil Tyler, a widower, was rich and attractive. And Eleanor knew his motherless little girl needed her woman’s care and love. But young Dr. Grant was a gifted surgeon who wanted Eleanor to share his brilliant future. Then tragedy struck Phil Tyler’s daughter. Love and duty both impelled Eleanor to help, but she knew that in this crucial test she must have a man’s strength and wisdom to guide her. To which of her lovers would she turn? 

GRADE: B- 

BEST QUOTES: 

“Grant’s in the kitchen fixing a hypodermic needle.” 

“I’ve a good mind to kick the next man who treats me like a sister.” 

REVIEW: 

This book starts out with an original twist (well, at least original when it comes to VNRNs): It opens on a scene with Fay Lord discussing a blind date she has set up between Dr. Grant Tyler and her roommate, Eleanor Johnson. The joke is, Dr. Grant thinks it’s Fay’s other roommate, Connie, he’s going out with, and won’t the laugh be on Mr. “High-and-Mighty! … Here he is expecting a beautiful, statuesque redhead and out comes Ellie.” It isn’t until the middle of Chapter 2 that the spotlight shifts to Ellie and stays there, and we realize that Ellie is really the heroine of the book, not Fay. 

On the ill-contrived date, Dr. Grant admits that Eleanor is “not too bad-looking,” but adds, “But neither is she any Helen of Troy. She couldn’t launch a boat of surgical instruments, let alone a thousand ships.” The metaphor is a little contrived, but you get the point. Their date comes to an abrupt end when Grant takes her to Lookout Walk, grabs her, and, though she struggles to get away, tries to kiss her. She pushes him over a stone wall, and he fakes injury. When she approaches him to help, he grabs her again. “I’ll kiss you right, if it’s the last thing I do,” he tells her, and he’s about to when she hits him over the head with a rock to escape, jumps in his car, and drives herself home. Of course, this only intrigues Grant further: “Eleanor had felt so soft and sweet in his arms. And for the briefest moment her lips had been almost responsive under his.” Because there’s nothing like a sexual assault to really turn a girl on. It’s almost more outrageous that, for the rest of the book, he talks as if he were the one who was attacked. “I wonder how the Registry feels about private duty nurses who assault people and steal their cars,” he says to her when he sees her next—and she then blushes and asks, “Do you intend to report me?” as if his version is in fact the accurate one. 

A few days later Ellie is begged to take on a case nursing Thomas G. Tyler, who has had a heart attack, on the night shift. Mr. Tyler is Grant’s uncle, and a very wealthy man in town. When she arrives at the mansion, she naturally runs into the nephew, but he is too worried about “The Captain” to really notice her. As time passes, though, Ellie sees a lot of Grant and Phillip, Mr. Tyler’s widowed son, both around the house and around town. Ellie has no car, so she gets rides to and from work frequently from Phil, who soon asks her out on a date. He seems like a nice guy, and they have a pleasant evening. But when he drops her off at the mansion for her night duty, he, too, grabs her, kisses her, and won’t let go. Only Grant’s appearance at the car door encourages Phil to loosen his hold. Ellie, however, seems not at all alarmed by his aggression and tells him “thanks loads” when he offers to bring in her uniform, which she has left in his car. A few days later she’s out on another dinner date with him. 

And it’s not long before Grant is at it again. He asks her out on a date—and she actually agrees to go, shame on her—but once in her apartment, he “gripped her arm. ‘Let me go,’ she said coolly.” Later in the book, Grant “took her roughly by the shoulders” and does not release her even when she says he is hurting her. These violent tendencies seem not to faze her at all, and once these incidents are over, they never again cross her mind—indeed, rather than finding Grant sick and sadistic, she is attracted to him. Later recalling her first date with him, “her face flushed when she thought of the way they had tussled. And he had had the audacity to laugh. It had been a pleasant laugh, she had to admit. And his lips on hers hadn’t been as harsh as she had anticipated. For the briefest moment—she felt her face burn hotter. Couldn’t she ever forget that night?” But at the same time, she continues to find Grant’s arrogant behavior irritating. He tells her he’s forgiven her for “slugging” him, and when she is appropriately outraged, he replies, “You’re dying for me to kiss you. … Why fight it? You’re afraid to come within a foot of me. What’s the matter? Don’t you trust yourself?” 

The book starts to wrap itself up few pages later when Phil is found in the park with a gash on his head and is hospitalized, near death. Some missing jewelry turns up under a rock in the garden and then vanishes again, accusations of extortion and bribery are made against the wife of the prominent doctor who is officially attending Mr. Tyler, and then Phil’s five-year-old daughter disappears. One of the Tyler boys turns out to be thoroughly rotten, and Ellie ends up engaged to the other one. You probably won’t be surprised to learn that she falls for the character that comes across as the most despicable, and the apparently nice guy is actually not at all. 

I really had issues with the creepy way the men who date her seem to enjoy manhandling Ellie. My disliking of Grant was instant and severe after he mauled her at Lookout Walk, and his subsequent insistence that she was in the wrong that night didn’t help him any. But if that scene and his other attempts to grab her hadn’t occurred, I wouldn’t think he is such a monster. His remark that she is dying to be kissed by him is arrogant and asinine, but it’s not unforgiveable, and it must be acknowledged that this sort of comment is de rigueur for VNRNs. (That’s a topic of discussion for another day.) The regularity with which Ellie is pawed makes me wonder if this was a common practice back in the late ’50s or if Isabel Cabot just thinks this is a nifty device to bring the heroine into a clinch, as of course no nice girl would willingly participate in such a thing unless she was forced to. Whatever the reason for these scenes, they just don’t play in the 21st century, and they bring down what would otherwise be a good book.

Private Duty

By Faith Baldwin, ©1935

Pretty Carolyn Cutler generall knew her own mind. She had learned to during three long years of training at Updale, earning the right to sign herself, Registered Nurse. But now that she was successfully out on her own, she faced a problem which her nursing training alone couldn’t solve. Three men wanted to marry her. And they all knew their own minds.
First there was Dr. Livingston. Carolyn had idolized him while she was in training; they had, in fact, considered themselves engaged. Now she wasn’t sure whether she really loved the man or the surgeon. Then there was her employer, Derek Williams, whose household she was running now that his wife had died. She knew she didn’t love him, but she pitied him and she adored his difficult young son. And last there was an impetuous, red-headed scamp named Bill Hamilton whose chief claim to fame was the number of breach of promise suits in which he had been involved. That is the involved situation of one of Miss Baldwin’s fastest, most appealing romances. It is a novel of hospital life, of the trials and problems of a nurse on private duty, and, above all, the story of a grand young girl for whom the world grew so complicated that it finally took a bloody factory strike to provide the solution.

GRADE: A-

BEST QUOTE:
“She looked at him and marveled silently at the utter stupidity of men. … She supposed the fault was common to the sex. It was amusing in a way. People were always talking about how brilliant they were—there wasn’t a surgeon in the state more highly esteemed than Richard Long, nor a manufacturer any better known than Andrew Hamilton. But in matters which were far more important than surgery or underwear these great men were certainly half-witted.”

“The Boston paper was restrained and brief, as befitted a Boston paper …”

“You look like a million dollars in government bonds, that is to say, expensive, hard to acquire, extremely valuable but not exhibiting much interest.”

REVIEW:
Faith Baldwin has done it again with this crackerjack novel. Maybe not quite as good as District Nurse, its sister, Private Duty is nonetheless unceasingly funny with well-drawn characters, sparkling writing, and a modern sensibility that far outweighs that of some vintage nurse romance novels written decades later. I begin to greatly regret that Faith Baldwin only wrote one or two other books that might fall into this category (He Married a Doctor, and possibly The Lonely Doctor), and I may well dub her the Jane Austen of the vintage nurse romance novel.

Carolyn Cutler has just graduated from nursing school and has moved in with her best friend from nursing school, Sally Austin. Sally is a spunky gal with a penchant for saying things like, “Run along to the boy friend and if he starts beating you up or anything, scream. I still pack a wallop.” They have a third roommate, Marie, who is hopelessly in love with a married doctor who does not know she is alive, so she has dedicated her life to working in his shadow just to be near him. The women all do private duty, which means they are hired to care for private patients either at the patient’s home or in the hospital, on 12- or 24-hour shifts. Sometimes they have work, sometimes not.

When they don’t, they go out. When the book opens, Carolyn is engaged to Dr. Bob Livingston, but we quickly see this isn’t going to work out. He wants to put off marriage until he is well-established as a (what else?) surgeon: “ ‘Wait for me, Caro, I promise you I’ll be able to give you everything you deserve in a few years.’ She wondered, lying there, if really she wanted to be given everything. … It seemed so flat, somehow, the waiting. No sharing. No excitement of struggle and work and helping in an office. … ‘When we’re married I’ll keep you out of my office, away from the whole sorry business.’ … Did she want that? Of course, she wanted it. But she didn’t want to wait for it alone. She wanted to wait for it with him.”

Cue Bill Hamilton. (It was a minor difficulty for me keeping Bob Livingston and Bill Hamilton straight in my mind; I wish their names had been a little less two of a kind.) She meets him in stereotypical fashion, by literally running into him, but at least it was uniquely described: “On the way out she collided violently with a tall young man who was barging joyfully through the revolving door. For a brief moment she saw a hundred doors all whirling the wrong way and a thousand stars which have never been charted by astronomers.” Bill’s father owns an underwear manufacturing business, and Bill is intent on “modernizing” the factory, much to the dismay of his father, who is concerned that Bill is a “Red.” Bill isn’t serious about much, and has already had to settle two breach of contact suits with women he had proposed to and then later run away from. After Carolyn nurses him back from a ruptured appendix, he falls for her and proposes marriage: “With me, I could promise you continuous excitement, fights, laughs, never a dull moment.” (The book earns points for acknowledging that marriage will contain the occasional spat, a big departure from the ordinary vintage nurse romance novel.) She realizes he isn’t serious, and so puts him off, though she continues to date him when he’s in town and not busy with his socialist agenda.

But Carolyn and Sally’s boyfriends take a back seat to their work and their lives together. It’s a homey world, of ugly but comfortable bathrobes, where washing your hair is a major event, where the girls’ next meeting, if their schedules don’t coincide, seems more important to them than when they will see their beaux. It isn’t until Marie moves to Boston and Sally goes home to nurse her mother, who has broken her hip, that Carolyn’s love life takes a more prominent role in the story—but even then, it’s still second fiddle to the Williams family, whom she has moved in with after months of nursing the mother, who dies of cancer.

Carolyn is an independent woman. She can take care of herself, and everyone else. She smokes an occasional cigarette, and she drives Bill’s car when they go out together. She is extremely competent at her work—“as a nurse she was near perfection,” the chief surgeon thinks of her—and she doesn’t take kindly to being patronized. “I can’t tell you how it irritates me to have this pretty nurse business flung in my face … it’s a sort of—subtitle. Nurse. Pretty. It goes with pretty stenographer. It gives me … a vast pain in the neck,” she tells Bill. She is a pleasure to watch.

The book’s plot doesn’t really have a lot of places to go, and her situation with the Williams family seems a little gratuitous, created to push Carolyn to her eventual and inevitable marriage. The climactic scene, at a meeting of striking workers that turns violent, is especially forced, and it’s so rushed that it’s not possible to effortlessly follow the action as we have up to now. But the book is so well-written that it’s a joy to follow the characters even into these contrived situations. I greatly look forward to reading Faith Baldwin’s He Married a Doctor—while at the same time dreading it, as I realize that after that’s done, there will be no more Faith Baldwin books to look forward to.

One paperback edition sports
a cover illustration by 
Sam Bates