Showing posts with label nursing school. Show all posts
Showing posts with label nursing school. Show all posts

Sunday, April 22, 2012

Spotlight on Nurse Thorne

By Tracy Adams
(pseud. Sofi O’Bryan), ©1962

Inspired by her medical student fiancé, Cindy Thorne abandoned her acting career to become a nurse. But the details of medical training and the strain of awaiting his return made her question her decision. Was her dedication to helping humanity strong enough to counter the excitement of a new appearance behind the footlights and the charm of an intriguing leading man?

GRADE: C+

BEST QUOTES:
“With a love scene like that you’ll give all the doctors high blood pressure and they’ll kick you out of nursing, baby.”

“My heart is in real bad shape, suffering from a stenosis there’s no name for.”

REVIEW:
Cindy Thorne is a former child star with a haranguing stage mother who has lost her chance at glory by association when the child in question opted for a more pedestrian career: While researching a role at a hospital, Cindy met this intern, Bruce, and soon decided to chuck Hollywood for nursing school so she could help him when he goes into practice. (But it’s also apparent that Hollywood had dropped Cindy as well, as she had become too old to play a child, and roles for older girls weren’t forthcoming.)

When the book opens, Cindy is a few months from graduating from nursing school, and her class has decided to stage a production of My Fair Lady. Cindy, of course, lands the lead. There’s this intern, Ted Morrow, who qualifies for the part of Henry Higgins basically by being cute, but he comes with the extra advantage that he’s already pining for his leading lady. As play rehearsals progress, Cindy spends a lot of time thinking about how much she loves being on the stage and asking herself if nursing is really the right career for her. Oh, and dating – and kissing – Ted, despite her being all but engaged to Bruce. As graduation and opening night approach, her internal struggles increase in frequency and amplitude, until both are over and Cindy is heading out for a celebratory night on the town with Bruce, planning to tell him that she’s going to quit nursing before her shiny new RN pin has even cooled. Then their cab is brought to a halt in a traffic jam caused by a fire in the subway near the Times building on 42nd Street – and she and Bruce are simultaneously tumbling out onto the street to go help the injured. Somehow this instinctive reaction completely negates all those pages of internal turmoil, and “she belonged in this white uniform, in these white oxfords and white stockings. She wouldn’t exchange places with any other girl in the world.”

I’ve spent the morning wondering what to say about this book. As you can see from the pair of paragraphs above, there’s not really much to say. It’s mildly pleasant, but it has next to no camp or humor, and it’s a bit earnest for my taste, with too much fretting over how emotionally demanding nursing is. The cast of characters is overly large; we whiz past 12 other nursing students, getting to know just one, who is unfortunately a bit irritating. Our brief exposure to Bruce – he doesn’t even have a last name – is not enough to make for a satisfying ending when she chooses him over Ted. I was also somewhat taken aback, given Cindy’s previously strong conviction that she needed to be an actress, that she could reverse herself for apparently no more of reason than that she reached for a car door handle in a moment of crisis. In the end, the spotlight is focused on a fickle nurse engaged to a stranger, and I’m more than ready to leave the theater.

Saturday, July 30, 2011

A Challenge for Nurse Melanie

By Isabel Moore, ©1963
Cover illustration by Bob Schinella

Melanie Woods had all the qualifications of a fine nurse—intelligence, quickness and dedication. But one fault threatened her brilliant career; she placed people ahead of rules. So when Melanie, acting almost instinctively, performed an emergency tracheotomy with only a penknife and a key, the Director of Nurses gave her a final warning. Although Melanie promised to obey hospital rules in the future, could she live up to her promise when a dying man requested the one thing forbidden to him?

GRADE: A

BEST QUOTES: 
“A high, bateau neckline had, this year, replaced the V-neck which, Edith Roberts had decided on excellent evidence, offered much too good a view to male patients as students bent over to take a pulse or a temperature reading.”

“Now, just to shock the town if for no other reason, she deliberately wore the tightest sheaths she could squeeze into, went into a bar to drink alone if she felt like it, and allowed boys she had known before her marriage to take her out.”

“It wasn’t right, somehow, thought Sally, for such a pretty young girl to be so—well—masculine.”

“The students took their meals in the hospital cafeteria, if they felt wealthy enough to afford the fifty cents or so it cost for lunch.”

“When I entered nursing, it was with a feeling of dedication, of putting others before myself, of knowing the satisfaction that comes from putting all of one’s self into whatever job one is doing. These girls seem to have nothing on their minds but finding a husband—preferably a rich patient or a promising young doctor!”

“Nurses nurse, Melanie. They don’t doctor. And above all, they don’t make public spectacles of themselves.”


“What a dope. That spirit of dedication to good old Fletcher [Hospital] and the patient isn’t going to get her a thing except fallen arches and a home for retired nurses.”

“ ‘Nursing!’ she had huffed. ‘Seeing men with their clothes off. Seems to me there’s something downright indecent about it!’ ”

“We never know what the day is like until it’s ended.”

“Marriage … that’s the best thing for a woman.”

“Pride is a luxury no woman in love can afford.”

“What finer future can a girl have, really, than to find a man she loves, who loves her back, and marry him?”

“Most of our lives are based on dreams.”

“Even when hope is dead, she thought, the heart still hopes.”

“We cannot be important to ourselves unless we are important to our work, to the things to which we have decided to commit ourselves, to dedicate our lives.”

REVIEW:
Right on the first page, Melanie Woods, a student nurse, does something very bad: She saves a man’s life in the Blue Ribbon bar by giving him an emergency tracheotomy with a jackknife and a key. When it’s all over, and the bar patrons are looking at her with “something close to distaste if not dislike,” and her roommate Sally says to her, “As far as your superiors are concerned, you’ve simply broken every rule in the book.” As they say, no good deed goes unpunished. Her fiancé, Andy Strand, adds, “Everyone thinks it just wasn’t—very ladylike, and that maybe you were just trying to be a—a sort of show-off.”

But Melanie’s lives by her own lights, chief of which is, “What are rules compared to people?” Naturally, this isn’t going to sit well with the folks in charge. She’s known as “the most fiercely dedicated young student to ever cross the threshold of Fletcher Hall, and at the same time, one of the fiercest rebels.” In fact, some wonder why she didn’t just go to medical school and become a doctor. But she couldn’t afford it: Her father was an inventor whose lucrative creation was stolen by magnate Sam Fletcher and whose spirit was broken by the incident, driving him to alcoholism and an early grave.

But every nurse should have a boyfriend, and hers is “basically weak, and that was why she was afraid to trust him with her life.” It seems she’s been unwilling to agree to a wedding date. And with good reason: It’s not long before he’s chasing after a sophisticated New Yorker ten years older than he is who strings him along for fun. He asks Melanie for his ring back, because “maybe Mom is right,” and he should be seeing other people. When Dr. Steve Conroy sees her ringless hand, “he was oddly pleased, which should have warned him, but it did not.” Steve is engaged to a New York socialite, and when his residency is up in six months, he is going back to her in the big city to establish a cushy uptown practice. But he approves of her spirit, how she stands up to the head nurse (always on behalf of someone else), and even thinks her stunt in the Blue Ribbon was “courageous.”

In typical VNRN, Sam checks in to his own hospital, partially blinded by melanoma made worse by a heart condition, and he will be dead in a matter of months. Melanie is sent to take care of him, of course, being the best student nurse in the hospital, and “she’s even good to look at,” as Steve points out to the old man. Before long, Sam has developed a great fondness for her, and she for him, seeing him for the lonely pitiful old man he is. He convinces her to allow him an occasional glass of whisky, though this is expressly forbidden by the doctors, because it’s the only thing that eases his pain.

This is eventually discovered by the head nurse, whom Melanie has worshipped all her life, who dismisses Melanie from nursing school, a month short of graduation and a week from Christmas. The showdown is a little heartbreaking, the stern disciplinarian who turned down the love of her life for her career scolding Melanie for caring too much. “If, in order to be a nurse, I have to become someone—inhuman, then I have no wish to be a nurse,” Melanie responds, and throws her cap on her mentor’s desk. She runs out the door and straight into Steve’s arms, and he takes her out for coffee and, just to put the final nail in her heart, tells her that though he loves her, he cannot marry her because he doesn’t want to spend his life in that small town. But then the final crisis, foretold by the cover, erupts, and Melanie redeems herself and gets herself reinstalled in school just in time to collect a diploma. Then there’s just Steve’s fiancée to dispose of, on Christmas Eve, when she pitches a fit in the ED and throws her engagement ring at him, and, as Steve says, “That’s that.”

This is a really good book. Nursing is not tidy or sanitized, and people have messy human lives. One young woman commits suicide by carbon monoxide because her married boyfriend won’t leave his wife. Children are born with heart defects. There are several alcoholics, including the man Melanie saved in the bar, who had passed out and choked on his own vomit. Women get breast cancer and die, even after radical mastectomies. The characters are believable and endearing, but things don’t work out for everyone, and leading characters don’t survive the fire. The book is well-written and absorbing, and I read it in one sitting (which I would have done even if I weren’t on a long plane ride). And this is the only VNRN of the 102 I’ve read that made me tear up, just a little, at the end. I’m a little grieved that this seems to be the only VNRN that Isabel Moore ever wrote, but this book is an absolute keeper.

Saturday, August 21, 2010

Nurse Landon's Challenge

Adelaide Humphries, ©1952

“You’re spoiled, a snob—in short, the sort of girl who is not much use in the world.” That’s what Doctor Peter Hayes, the young surgeon at Lakefront Hospital, said to Kay Landon the first time they met. Nothing in Kay’s life as the pampered daughter of wealth had prepared her for this sternly dedicated man who was indifferent to her social background and didn’t seem to notice her vibrant attractiveness. She tried to forget his words in the whirl of pleasure provided by Nicky Fairchild. She even accepted a beautiful big solitaire from Nicky. It did no good. She had to show that arrogant young doctor that she was mor than just a lovely doll dressed by the world’s most expensive designers. So Kay Landon enrolled in one of the most difficult and demanding careers open to women. She started training to be a nurse—and a good one—at Lakefront Hospital.

GRADE: A

BEST QUOTE:
“The reason I hadn’t called you sooner,” Peter said, “was that this epidemic has kept me so busy.”

REVIEW:
Kay Landon is my kind of heroine. On the day that we meet her, Kay is “wearing a sheer sleeveless dress and a thoroughly bored expression on her lovely face.” Within three paragraphs she gets pulled over for speeding—and though she is contemplating harassing the cop and getting arrested, he just wants to commandeer her wheels to ferry people injured in a train crash to the hospital. So instead of to jail, she heads off to the accident scene, where an injured man and Dr. Peter Hayes are loaded into her car. He is curt and indifferent to her, so she skewers him with sarcasm, and he responds in the same tone: “You are spoiled, rather silly, something of a snob—in short, the sort of girl who is actually not much use in this present-day world.”

Immediately she decides to show him a thing or two. She’s going to become a nurse! “It would be a perfectly marvelous way to get even with him,” she thinks. She tells her boyfriend, the arrogant, “Apollo-like” clubber Nicky, about her decision, and he’s not wild about the idea. “Girls like you don’t go in for nursing,” he tells her. “You’re the sort of girl who has been waited on all her life. Not the sort to do menial tasks for other people. Rubbing old men’s backs with alcohol, emptying bedpans—Good lord, Kay, I won’t let you do it!”

But she goes anyway, though she’s not really wild about nursing. “Charity cases were apt to be unsavory; dirty old men, whiny old women, pitiful undernourished and unwanted children.” But she keeps hoping to run into a certain doctor—which she does, literally: She’s pushing a tray of sterile instruments to the OR when she turns a corner too fast, nearly running over the doctor and dumping the cart onto the floor. “Now look what you’ve made me do!” Kay snaps at him. But guess what—soon she begins to love nursing and how useful it makes her feel.

About halfway through the book she and Dr. Peter hook up, but since they’re not supposed to be dating—she’ll get kicked out of school if she’s caught with him—they don’t see much of each other, and when they do, they start squabbling. There’s another woman, of course. Peter is also pursuing Fern Wentworth, a former burlesque queen who married a wealthy man twice her age who then conveniently dropped dead. He’s hoping she’ll make a large donation for renovations to the hospital: “He wants the old wooden part torn down, thinks it’s a firetrap,” Fern tells Kay. (Does anyone besides me sense some foreshadowing here?)

This book is a fun read, and it really gives you a sense of the era it was written in. While Kay is avoiding Peter, she hangs out with the other nursing students, a great bunch of scrappy gals with colorful speech (“investigate the hock shops and get all the dope,” “She thought she looked like Mrs. Astorbilt, but she looked as though she belonged in a circus,” “You sound like a Communist!”). I appreciated the fact that this book actually takes characters (though not the leading ones) beyond the chaste kiss: “I saw you in that supply closet necking with that roughneck orderly, Birdie—the big one with the scarred face.” And Nicky’s reference to bedpans is the first time I’ve seen one of these books refer to the, shall we say, messier aspects of nursing. I appreciated the fact that Kay is a flawed individual, and even at the fiery conclusion when she is the hero, she does it reluctantly: “She had not especially wanted to do it. And at the end she had almost given up …. And she hadn’t felt brave at all.” The cover illustration may well be my favorite so far: her red convertible, the palm trees in the background, her arched eyebrow, her displeased expression. This book really has it all.